Grand corps malade不是说唱歌手，不是流行歌手，更不是摇滚歌手。他是诗人，一位城市现代诗人。 以上翻译自：Grand corps malade n'est pas un chanteur de Rap, de Variété, de Pop ou encore de Rock mais un slameur : un poète, un poète urbain des temps modernes. 翻译得不是很好。Grand Corps Malade的风格不是很明确，按照歌唱方式可以纳入说唱之类，但是其实他的歌更像是朗诵，以清晰的口齿不算太快的语速说出歌词，背景音乐多为缓慢的钢琴及简单的节奏，个人认为还算是很特别的，第一次领会了男性说法语的魅力。他对自己和这种文化定意为SLAM，这个词在法语的维基百科中的解释是一种适合于大众风格的现代诗。本张专辑是他到目前为止唯一的一张专辑，专辑中主打曲目MIDI 20以及j'ai oublié，rencontres等在法国年轻人口中传唱。大家可以尝试一下这样比较新的曲风。
 
Grand Corps Malade was the alias of French rapper and urban poet Fabien Marsaud, a product of Paris' tough northern suburb Seine-Saint-Denis born July 31, 1977. A diving accident suffered on his 20th birthday left Marsaud permanently disabled, inspiring the Grand Corps Malade moniker -- roughly translated, the name means &Large Sick Body& -- and forcing upon him the omnipresent crutch that would become a signature element of his stage act. Upon discovering &slam poetry& in 2003, Marsaud began writing autobiographical verse and entering readings at the Parisian bar Collectif 129H. A friend later suggested he set his poems to music, and in early 2006 he issued the first Grand Corps Malade LP, MIDI 20, a gritty collection decrying the racism, poverty, and isolation endemic throughout suburban Paris. The record proved an unexpected blockbuster, selling in excess of 300,000 copies in less than six months and vaulting Marsaud to national notoriety.